‘Exposure: Native Art and Political Ecology’ documents international Indigenous artists’ responses to the impacts of nuclear testing, nuclear accidents, and uranium mining on Native peoples and the environment. The travelling exhibition and catalogue give artists a voice to address the long-term effects of these man-made disasters on Indigenous communities in the United States and around the world. Indigenous artists from Australia, Canada, Greenland, Japan, Pacific Islands, and the United States utilize local and tribal knowledge, as well as Indigenous and contemporary art forms as visual strategies for their thought-provoking artworks.
‘Exposure: Native Art and Political Ecology’ is co-curated by iBiennale Director Dr. Kóan Jeff Baysa; Nuuk Art Museum Director Nivi Christensen (Inuit); Hokkaido Museum of Modern Art Chief curator and Vice Director Satomi Igarashi; Art Gallery of New South Wales Assistant Curator of Aboriginal and Torres Strait Islander Art Erin Vink (Ngiyampaa), independent curator Tania Willard (Secwepemc Nation), and MoCNA Chief Curator Manuela Well-Off-Man.
The hardcover, fully illustrated catalogue will be published in Fall 2021 and features artist statements, interviews and essays by co-curators, art historians, writers, scientists, and activists who will examine art practices and artists’ concerns more in depth. Exposure: Native Art and Political Ecology is supported by the Ford Foundation and the Andy Warhol Foundation for the Visual Arts.