The New York Times features Yhonnie Scarce's provocative work " Weak in Colour But Strong in Blood" in their review of the Biennale of Sydney.
Now showing at the Art Gallery of New South Wales, Scarce's laboratory-like installation references past experiments carried out on Indigenous Australians, comprising blown glass, medical equipment and set under harsh lights.
The Biennale of Sydney continues until the 9th of June 2014.