IN THE GALLERY: Foreign Objects
Foreign Objects
Installation View
Photo: Simon Strong
Foreign Objects
Installation View
Photo: Simon Strong
Foreign Objects
Installation View
Photo: Simon Strong
Maut (Like a Tiger), 2021
Pencil on stonehenge paper
37 x 30.5 cm
$2,200, framed
Ikarus, 2022
73 x 54 cm
Pencil on stonehenge paper
$4,000 framed
Nicholas After Dark / Nicholas Setelah Gelap’, 2021
Pencil on Stonehenge Paper
35.7cm x 23.5cm
$2,200, framed
Foreign Objects
Installation View
Photo: Simon Strong
Foreign Objects
Installation View
Photo: Simon Strong
Foreign Objects
Installation View
Photo: Simon Strong
John (at Musee Rodin), 2022
Pencil on Stonehenge Paper,
76 cm x 56 cm
Klaustrofobia 01, 2021
Pencil on Stonehenge Paper
35 x 27.5 cm
$3,300, framed (diptych)
Klaustrofobia 02, 2021
Pencil on stonehenge paper
28.2 x 23.5 cm
$3,300, framed (diptych)
Foreign Objects
Installation View
Photo: Simon Strong
Foreign Objects
Installation View
Photo: Simon Strong
Foreign Objects
Installation View
Photo: Simon Strong
Gigit (Like a Lion), 2021
Pencil on stonehenge paper
37 x 30.5 cm
$2,200, framed
It Means the Moon, But the Locals Call Me Badger, 2021
Pencil on Stonehenge Paper
42 cm x 26.7 cm
Between Warm and Room Temperature / Antara Hangat dan Suam-Suam Kuku, 2022
Pencil on Stonehenge Paper
50.5 x 44 cm
$3,800, framed
It’s Summer, and You Whisper Hot Wind to My Ears, 2022
Pencil on stonehenge paper
86 x 71 cm
$4,400, framed
Imtiaz in Williamsburg (Day After The Storm), 2022
Pencil on stonehenge paper
73 x 54 cm
$4,400 framed
Foreign Objects
Installation View
Photo: Simon Strong
VIDEOS
Badra Aji
20 Jul - 13 Aug 2022
‘Foreign Objects’ is a new series of visual poetry by Badra Aji. Using drawing, video, and magical realism, Aji draws from his personal experiences of migrating to Australia and finding poetic resonance in things that are displaced. For Aji, his works are the tangible artifacts from these experiences; drawings of daily objects, personal portraits, and museum objects are used to investigate our perceived notion of normalcy. Cryptic and highly personal, ‘Foreign Objects’ puts the viewers on the outside and presents a commentary on the white beauty standard.