Dan Halter’s artistic practice is informed by his position as a Zimbabwean living in South Africa. Using materials ubiquitous to South Africa and Zimbabwe Halter employs the language of craft and curio as a visual strategy to articulate his concerns within a fine art context. Through this, as well as through photography and video, Halter addresses notions of a dislocated national identity and the politics of post-colonial Zimbabwe within a broader African context.
Born in Zimbabwe, Dan Halter now lives and works in Cape Town, South Africa. In addition to five solo exhibitions Halter has participated in numerous group shows including US at the South African National Gallery, curated by Simon Njami, Zeitgenössiche Fotokunst aus Südafrika at the Neuer Berliner Kunstverein (NBK), 2009 Havana Biennale and Earth Matters at the Smithsonian National Museum of African Art in Washington DC. He has completed four international residencies, in Zürich, Rio de Janeiro, Scotland and Turin. Recent exhibitions include the 7th Triennial of Contemporary Textile Arts of Tournai, Belgium and Dan Halter / Mappa Del Mondo at the Nassauischer Kunstverein in Wiesbaden Germany. His work is included in collections including The South African National Gallery, UNISA (University of South Africa), University of Cape Town, Scheryn Collection, Artphilein Collection, Pigozzi Collection, SAFFCA Collection, Round About Collection, and the prestigious Rennie Collection
Artist Statement:
‘My experience as a white Zimbabwean now living in South Africa informs my practice. I deal with notions of a dislocated national identity and the dark humour of present realities in Southern Africa, largely a backlash to a history of oppression that continues today. I realize my work through the use of ubiquitous materials and the use of local popular visual strategies as a form of expression. This often tends towards the language of craft and curio within a contemporary fine art context. Two words that are useful in describing my art are fabric and fabrication:
fab·ric (n)
1. cloth of any type made from thread or fibers, whether woven, knitted, or felted
2. the particular texture or quality of a kind of cloth
3. the fundamental structure or makeup of something
4. the material from which something is constructed, especially a building, or the physical structure of something
fab·ri·ca·tion (n)
1. the construction of something, or something that has been constructed or made
2. the invention of something that is not true
3. a fraudulent imitation of a signature or document
(Encarta World English Dictionary (c) 1999 Microsoft Corporation. All rights reserved. Developed for Microsoft by Bloomsbury Publishing Plc.)’
Courtesy of WHATIFTHEWORLD